The Worst Old Age Makeup Fails in Film History

The worst old age on certainly wasn’t intended to be terrible. In many instances, legendary makeup artists thought they were doing a good job, but instead put jaw-droppingly fake, rubbery foam onscreen. Why? Maybe they were having an off day. Or dgaf because they got paid a ton and it’s not like you make Citizen Kane every time (although Orson Welles did that one time, and it’s on here).
Bad old age effects are a matter of doing the impossible even if you’re a master makeup designer. Stan Winston and his team couldn’t convince us that 19-year-old was an old lady at the end of the otherwise wonderful Edward Scissorhands. And if he couldn’t do it, no one could. She’s had too much youth in the eyes to fake it. 
Many times, directors opt to use an old  in place of attempting to add years by piling on makeup. See TitanicInterstellar, etc. Would it have killed Francis Ford Coppolla to get an older man to play the aged Michael Corleone in Godfather III, at the very end of the film? Al Pacino’s powdery hair and pleather skin was surely an avoidable old age makeup fails.

Character: Sarah Connor
In Terminator 2, Sarah Connor prevents the apocalypse and settles down on a park bench to survey the happy, ignorant she saved and record her thoughts. When the roving shot finally lands on her, record scratch. Did she absorb Skynet into her face?
Character: Dixie Leonard
Even the great Bette Midler can’t escape this overdone old age makeup. But she did earn a Golden Globe for her performance in For the Boys, so she wasn’t weighed down by it (at least not figuratively).
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Character: J. Edgar Hoover
The WTF old age makeup on  Leonardo DiCaprio in the profoundly pedestrian J. Edgar was so bad it might have hurt director Clint Eastwood’s chances at an Oscar nom. As might have the terrible performances, banal direction, moronic script, and every awful decision that went into this piece of work.
Character: Marty McFly
The makeup here works in as much as it makes the eternally youthful look decrepit and creepy, but it’s yuckier than it needs to be. Poor Lea Thompson, Thomas F. Wilson, and Flea get the same .
Character: Peter Weyland
Guy Pearce sat in the makeup chair for a minimum of six hours a day to get his ancient man look for Prometheus, but the result was as mystifying as the film’s plot. And since Guy Pearce was a relatively young, strapping, handsome man who never played his younger self in Prometheus… why not just hire an older actor for the part?
Character: Kim
What do you call a 19-year-old Winona Ryder under pounds of makeup? An awkward ending to an otherwise awesome movie. The Academy thought differently and nominated makeup masters Stan Winston and Ve Neill for Best Makeup. Perhaps on account of ’s Edward?
Character: Michael Newman
Adam Sandler makes a lot of moolah from his films. He probably doesn’t give much thought to if anyone didn’t like his silly old age make up in Click, which is rendered pointless by the fact that you can only tell it’s there by pausing the movie and looking carefully for graying of Sandler’s hair and exaggerated bags under his eyes.
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Character: Andrew Martin
Well, the character did start out as a robot, so maybe this isn’t so bad for the machine that longed to be mortal.
Character: Dominic Matei
Makeup artists Peter King and Jeremy Woodhead typically do excellent work (they did the Lord of the Rings and Hobbit trilogies, and The Avengers), but the aging the perennially impish Tim Roth is by far the weakest part of Youth Without Youth.